LATE NIGHT RADIO LATE AT THE TATE BRITAIN
FRI AUG 7 6.00 till 9.30pm
ADMISSION FREE
Tate Britain, Millbank London SW1

Become your own radio receiver at Late Night Radio in The Tate Britain, curated by Radio 3’s Late Junction presenter Max Reinhardt. Wander along the dial that is the spaces of Tate Britain and you can tune into: live solo sets from Keziah Jones (solo Nigerian/UKsinger/guitarist…the wittiest and most inventive funkster you’ll ever hear) , Zoe Rahman (Solo exploratory inspirational jazz piano) and Amanda Cook (the platonic ideal of a solo guitarist playing early music)

more live music from Jason Yarde & Finn Peters (totally improvised free jazz which wanders round the building on baritone sax and tenor), Errol Linton’s Blue Period (Sonny Boy Williamson meets King Tubby) , the Langham Research Centre (with works especially composed for Stockhausens oscillators by Rober Worby) and COMA Voices, with performances of seminal works by Cornelius Cardew (The Great Learning Paragraph 7) and John Cage (Radio Music and Imaginary Landscape No 4), directed by Robert Worby

film: a large scale screening/premiere of Jo Lawrence’s especially commissioned new animation PAVEMENTOPERA and a screening of Grace Ndiritu’s thought provoking MY BLOOD SELF: BLOOD PAINTING (with soundtrack created by Rita Ray & Max Reinhardt)

recorded sequences and soundscapes by Late Junction presenters Fiona Talkington (FRO:zen a soundscape devised and produced in Norway) Verity Sharp and Max Reinhardt

radiomanton.789 in the studio Turn the dial further and wander downstairs and tune into inquisitive airwaves, radio programming and time-based sequencing presented by Chelsea College of Art’s MA students. The framework of radio explores cultural production in an exhausting 3.5-hour session with Sounds by artists Leo Koivistoinen, Lucia Aspesi, and Yoshi Sodeoko , Performances by Steve Kado Rita Evans (The Objectifiers) and Giles Bailey (forums for discussion, Talks/discussions by David Raymond Conroy and Mark Fisher (KPunk)

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Brilliant review!...
Version of S/D/Mofo was unhinged; definitely not ponderous. It was crazy, dirty, wrong...
Stunning photo, whoever took that must really know what they're doing. Oh, good tracks ...